![]() ![]() ![]() He tells her to return to the mirror at 1 am, but only after fulfilling a few conditions. ![]() ![]() She tries to deny his invitation to come into the mirror's realm as a permanent resident but the demon tells her that he knows that she will return as she always has in the past, as she is bored with the world and her husband. Before returning to reality, Catherine realizes that this is not her father but a demonic figure. After her father is finished with the encounter, he remarks to Catherine that this was what she wanted. These pique her interest and eventually culminate in a scene where Catherine witnesses her teenage self semi-reluctantly, then enthusiastically, take part in an incestuous encounter with her father. The ghost masturbates her and draws her into the mirror to witness several sexually charged scenarios. During one of her daily visits she encounters the ghost of her father in the mirror. She spends much of her time in the attic, masturbating in front of a gothic mirror that reminds her of her childhood and teenage years with her father ( Jamie Gillis). It also contains scenes of violence and sexual violence, as well as presenting the sexual content in an artistic as opposed to erotic manner.Ĭatherine (Catherine Erhardt) is a sexually unfulfilled socialite who longs for the memory of her father. The film has themes of incest and the traumatic effects it has on those who have experienced it. The film, which has avant-garde, experimental elements, concerns a bored socialite who finds herself drawn to a mirror that sexually arouses her. "Catharine Burgess" was a pseudonym for Catherine Erhardt. Through The Looking Glass (released in France as Femme Ou Demon) is a 1976 American adult film directed by Jonas Middleton and starring Catharine Burgess, Jamie Gillis and Laura Nicholson. ![]()
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